Hand-painted citrus juicer, Japan, 1930s-1940s.
Heritage Culinary Artifacts has been a staple at Oxbow Market ever since the venue opened in 2008, but the shop will close at the end of January after a five-year run. I definitely enjoyed browsing the ever-evolving display of antique cookware, which is already available for purchase online. Owner-curator Lisa Minucci has a great eye for original pieces, and she has traveled the world to procure a truly unique collection. I always felt that Heritage had a museum aura about it. It’s only by sheer coincidence that I finally got around to pitching this feature to Lisa a couple weeks ago; that’s when I first discovered that she was set to close her brick-and-mortar shop.
I’m a born collector, beginning with baseball memorabilia at an early age, followed by vinyl records, cookbooks, pulp crime paperbacks, and of course, wine. I also collect a [… read more …]
KitchenAid: In the style of Gustave Klimt.
The KitchenAid stand mixer is an icon in its own right, but these advertising posters put this American classic into an interesting new context. I stumbled across these images from Brazil’s DDB advertising agency, which launched this campaign in the Summer of 2011. Each of these ad is quite remarkable, but I really think that the Klimt-inspired poster, pictured above, is by far the best of the series. The lethargy that I usually associate with many of Klimt’s subjects is cleverly transformed into pensive adoration in the KitchenAid ad (how does that sound for some quickly conceived art-school pseudo-lingo).
I’ve ranked the other five posters according to personal preference, based mostly upon how well that I think each homage “rings true” to its original inspiration. Just my opinion as an art-book junkie (and sucker for the discount section). Click any image [… read more …]
I’ve always admired the famous “Hot Dog” enamel by Roy Lichtenstein, pictured just below. Even though the hot dog itself resembles a logo more than anything edible, I can appreciate the way that Lichtenstein makes the hot dog appear to glisten and shine. In that sense, the painting is very appealing from its “theoretical taste” standpoint, as if the hot dog was freshly prepared and incredibly succulent. As cartoonish as it looks, it does seem delicious. The colors of the 194 enamel are also striking: ketchup red and mustard yellow. I wonder if this was largely a coincidence, or if Lichtenstein was really that in tune to food.
Roy Lichtenstein, Hot Dog, 1964 (enamel on plate).
Either way, Lichtenstein’s “Hot Dog” enamel remains extremely vivid in its execution. As an artist, Lichtenstein often borrowed his color palate from consumer packaging, incorporating schemes that featured powerful and [… read more …]
Designed by architectural historian Dr. David Gissen, this wine map of France is reconfigured to resemble a modern subway map. Pure genius, if you ask me. Gissen really captures the public-transportation aesthetic perfectly, presenting French wine in a uniquely urban context. Bravo. Wine geeks can purchase a high-quality printing of this map online at De Long Wine, creators and purveyors of the equally cool Wine Grape Varietal Table.
Gateway Market, Emeryville: Adorned with a fantastic mural alongside its parking lot, the Gateway Market is tough to miss on San Pablo Blvd. The artwork has a definite graffiti vibe, but the details are fantastic. Luckily, it hasn't been tagged over. The "W" in Gateway is pictured above (each letter has its own theme). Click on the photo to reveal all of the great flourishes.
Most of these pictures have never appeared on this site, although a couple did appear a few years ago, long before I sharpened my photo-editing skills. Many readers have emailed me about my approach to photography, and I must confess, my only real secret is to simply seek the best lighting possible. Truthfully, I’ve never had any formal photography training, but I did develop an eye for proper lighting while I was working (briefly, almost 15 years ago) as a grip in Los [… read more …]
Lobster Russian Style: Garnished with hard-boiled eggs and black truffles, though the book allows black olives as a substitute for the latter.
I meant to snap some food pics from Berkeley and the East Bay this week, but my camera battery was drained. Among the missed opportunities: a grilled bockwurst from Top Dog, a falafel pita from Fa-La-La, and a plate of yellow curried rice from Bua Luang. On the upside, I did find several great used cookbooks at Pegasus Books, including “Everyday French Cooking” by Henri-Paul Pellaprat. Originally published in America in 1966, Pellaprat’s book is an obvious response to Julia Child’s “Mastering the Art of French Cooking,” which was first published in 1961. Much like Child’s seminal work, “Everyday French Cooking” aims to assist the American housewife, as the book states in its introduction (the book’s original French title is “Le Nouveau Guide Culinaire,” published in [… read more …]
Here are some more terrific paintings by Janet Fish. Both of these paintings represent a very different approach, although both paintings are food-related, like so much of Fish’s other work. Thematically, 1971’s “Berio Olive Oil” is a precursor to Fish’s famous “Windex Bottles” painting of 1972. “Berio” and “Windex” are both stunning in their portrayal of refracted light, while 1968’s “White Squash with Blue Grapes” is more austere and less literal.
Janet Fish, Berio Olive Oil, 1971
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Janet Fish, White Squash and Blue Grapes, 1968